Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect
Identifieur interne : 000061 ( Main/Exploration ); précédent : 000060; suivant : 000062Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect
Auteurs : Gilbert J. Rose [États-Unis]Source :
- International Journal of Applied Psychoanalytic Studies [ 1742-3341 ] ; 2012-12.
English descriptors
- Teeft :
- Aesthetic experience, Aesthetic form, Aesthetic forms, Affective, Affective response, Appl, Body image, Body images, California press, Chicago press, Cognitive meaning, Cognitive meanings, Copyright, Energy discharge, Everyday life, Increase tension, International journal, International universities press, John wiley sons, Late beethoven, Mental activity, Mirror neurons, Neural maps, Original work, Primary process, Primary process forms, Princeton university press, Psychoanal, Psychoanalytic explorations, Secondary process, Secondary processes, Slow discharge, Subjective affective expressiveness, Unconscious processes, Unpublished dissertation, Viking press, William james.
Abstract
This paper traces (1) the transformation of the subjective affective expressiveness that accompanies the making of non‐verbal art into (2) the aesthetic forms that embody implicit “motion” (3) that stimulates an immediate disparate affective response on the part of a person sensitive to art or music. Implicit “motion” reflects primary process forms interplaying with the slow discharge of secondary process, thus allowing entry into consciousness. Any cognitive meanings, conscious and unconscious, subsequently attributed to the non‐verbal art are personal, variable and subject to the flow oftime and the spirit of the times. Copyright © 2011 John Wiley & Sons, Ltd.
Url:
DOI: 10.1002/aps.311
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 002252
- to stream Istex, to step Curation: 002251
- to stream Istex, to step Checkpoint: 000017
- to stream Main, to step Merge: 000061
- to stream Main, to step Curation: 000061
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect</title><author><name sortKey="Rose, Gilbert J" sort="Rose, Gilbert J" uniqKey="Rose G" first="Gilbert J." last="Rose">Gilbert J. Rose</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:56FC3878FA5A2A20CB1864AF984D2DA67F5799B2</idno><date when="2012" year="2012">2012</date><idno type="doi">10.1002/aps.311</idno><idno type="url">https://api.istex.fr/document/56FC3878FA5A2A20CB1864AF984D2DA67F5799B2/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">002252</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">002252</idno><idno type="wicri:Area/Istex/Curation">002251</idno><idno type="wicri:Area/Istex/Checkpoint">000017</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000017</idno><idno type="wicri:doubleKey">1742-3341:2012:Rose G:implicit:motion:in</idno><idno type="wicri:Area/Main/Merge">000061</idno><idno type="wicri:Area/Main/Curation">000061</idno><idno type="wicri:Area/Main/Exploration">000061</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main">Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect<ref type="note" target="#aps311-note-0001"></ref></title><author><name sortKey="Rose, Gilbert J" sort="Rose, Gilbert J" uniqKey="Rose G" first="Gilbert J." last="Rose">Gilbert J. Rose</name><affiliation wicri:level="1"><country xml:lang="fr">États-Unis</country><wicri:regionArea>1 Highland Ave. Rowayton, CT, 06853, Norwalk</wicri:regionArea><wicri:noRegion>Norwalk</wicri:noRegion></affiliation></author></analytic><monogr></monogr><series><title level="j" type="main">International Journal of Applied Psychoanalytic Studies</title><title level="j" type="alt">INTERNATIONAL JOURNAL OF APPLIED PSYCHOANALYTIC STUDIES</title><idno type="ISSN">1742-3341</idno><idno type="eISSN">1556-9187</idno><imprint><biblScope unit="vol">9</biblScope><biblScope unit="issue">4</biblScope><biblScope unit="page" from="285">285</biblScope><biblScope unit="page" to="297">297</biblScope><biblScope unit="page-count">13</biblScope><date type="published" when="2012-12">2012-12</date></imprint><idno type="ISSN">1742-3341</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">1742-3341</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="Teeft" xml:lang="en"><term>Aesthetic experience</term><term>Aesthetic form</term><term>Aesthetic forms</term><term>Affective</term><term>Affective response</term><term>Appl</term><term>Body image</term><term>Body images</term><term>California press</term><term>Chicago press</term><term>Cognitive meaning</term><term>Cognitive meanings</term><term>Copyright</term><term>Energy discharge</term><term>Everyday life</term><term>Increase tension</term><term>International journal</term><term>International universities press</term><term>John wiley sons</term><term>Late beethoven</term><term>Mental activity</term><term>Mirror neurons</term><term>Neural maps</term><term>Original work</term><term>Primary process</term><term>Primary process forms</term><term>Princeton university press</term><term>Psychoanal</term><term>Psychoanalytic explorations</term><term>Secondary process</term><term>Secondary processes</term><term>Slow discharge</term><term>Subjective affective expressiveness</term><term>Unconscious processes</term><term>Unpublished dissertation</term><term>Viking press</term><term>William james</term></keywords></textClass></profileDesc></teiHeader><front><div type="abstract">This paper traces (1) the transformation of the subjective affective expressiveness that accompanies the making of non‐verbal art into (2) the aesthetic forms that embody implicit “motion” (3) that stimulates an immediate disparate affective response on the part of a person sensitive to art or music. Implicit “motion” reflects primary process forms interplaying with the slow discharge of secondary process, thus allowing entry into consciousness. Any cognitive meanings, conscious and unconscious, subsequently attributed to the non‐verbal art are personal, variable and subject to the flow oftime and the spirit of the times. Copyright © 2011 John Wiley & Sons, Ltd.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country></list><tree><country name="États-Unis"><noRegion><name sortKey="Rose, Gilbert J" sort="Rose, Gilbert J" uniqKey="Rose G" first="Gilbert J." last="Rose">Gilbert J. Rose</name></noRegion></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/DebussyV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000061 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000061 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= DebussyV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:56FC3878FA5A2A20CB1864AF984D2DA67F5799B2
|texte= Implicit “Motion” in Non‐verbal Art: Transmission and Transformation of Affect
}}
| This area was generated with Dilib version V0.6.33. |  |